#Film turque en arabe mbc4 tv#
Such popularity is fueled by studies that showed that dubbed versions of TV shows are more popular than their subtitled equivalents.
#Film turque en arabe mbc4 series#
Firstly, acceptance or otherwise of 'independent and self-reliant women' and their 'ability to survive without a man.' Secondly, rejection of 'other' socio-cultural values, such as (1) 'Having a child outside of marriage,' (2) 'marital infidelity, (3) 'restricting religion to older people,' (4) 'presenting alcohol consumption, (5) 'women getting married without permission, and (6) 'couples dating.' Finally, neutral attitudes towards 'friendships between couples,' 'traditional roles of women as mothers and wives and 'fighting for love.'ĭubbed series are gaining a lot of popularity in recent years with strong support from major media service providers. The results revealed three different groups of attitudes associated with socio-cultural values. For the study, 1.274 online questionnaires were completed by Saudi female viewers aged from 20 to 60. The present study evaluates Turkish drama series's influence on the perceptions and attitudes of Saudi female viewers, drawing on social identity theory and cultivation theory perspectives. To date, despite the growing popularity of these Turkish drama series abroad, research into the attitudes and behaviors of Saudi women who watch such dramas has been limited. Typically, these dramas define and present female characters who can be considered liberal in their adherence to traditional cultural values. Perhaps unexpectedly, they have proven exceptionally attractive to global audiences.
In the 2000s, Turkish drama series began airing in Saudi Arabia and other countries outside Turkey. Researchers have thus observed a relative "depoliticization" of media over the years with the progressive development of mass entertainment programming. The Arab market is indeed unique: a large and essentially young audience with some 20 countries sharing a common language. As Naomi Sakr explains, many factors fuel the field's potential including the fact that "Media flows are (…) facilitated where the language is shared 3 ". The mastermind behind this phenomenon has been the MBC (Middle East Broadcasting Center) media empire, a combination of Saudi capital and Middle Eastern know-how, and a success story that started in the 1990s with the birth of a private Arab media field. After falling in the past for Victoria Principal, Ridge Forrester, and Latin American telenovela characters Kassandra and Rosalinda, Arab audiences are now turning to Turkey, a close yet estranged neighbor with whom they share a tumultuous history. Almost a quarter of a century later, on August 30, 2008, 85 million Arab viewers were glued to their TV sets for the finale of the Syrian-dubbed Turkish soap opera, Gümüş 1 (Noor 2 in Arabic), a Kanal D production that received little attention in its homeland in 2005. Except for experts and visionaries, no one was predicting that it was "the beginning of the end" for the state domination of television in the Arab world. Five years later, the Arabs were shooting at the stars with the launch of the first Arab satellite system, Arabsat-1. It was the first time that a TV series had captivated simultaneously so many people around the world.
The shot was heard around the world, with millions of fans desperately wondering "Who shot J.R.?". Ewing was shot and injured in the hit series Dallas, which featured an unconventional family's struggles over power, wealth and sex.
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